The Problem Of Penile Presentation

The veins are visible through the taut flesh of his standing prick. Abdomen, arm, and thighs descend, as it were, in a diagonal from left (top) to right (bottom), a direction that is diametrically opposed to that of the erection, which juts upward, from left (bottom of shaft) to top (glans). This contrary direction draws attention to the erect penis, for the prick goes against the direction that the rest of the images (and its appendages, the arm and thighs) take. The penis, this presentation, suggests, is unruly and independent, perhaps wild and uncontrollable, and since the penis (and the testicles) is the very essence of masculinity, manhood itself, the suggestion is that men have these same qualities, that they, buy nature, are likewise unruly, independent, wild, and uncontrollable.

Another penile presentation solution is to show the lower belly, the pubes, and the upper thighs, with the cock standing stiff, but bowed backward, like a banana, and the contour of the right testicle an arc beneath the base of the prick. This view of the penis also focuses the viewer's attention upon the organ, for, while most dicks are more or less straight, this one is unexpectedly (and rather excitingly) curved, and the unusual always excites attention. This approach is a simple, but effective, one.

Not many artists use props in penile presentations, but one that does do so employs a rectangular configuration of dowels. The model stands inside this apparatus, his left arm raised and bent at the elbow, hand clutching the upper end of one of the rectangle's dowels. The uppermost horizontal rod crosses his shoulders, the left vertical pole lying alongside his right arm, which is also bent at the elbow so as to allow his right hand to lie across the two vertical dowels that run across the midpoint of the rectangular frame. His cock stands up, parallel to the vertical poles but at a right angle to the two that runs vertically from the left to the right vertical rods. His thighs also parallel the vertical dowels, so that the eye is caught in this thicket of seemingly tangled limbs and rods.